-40%
Elvis: Good Rockin’ Tonight (1989 - 1990) - Lot of Original PR material
$ 5.27
- Description
- Size Guide
Description
ATTENTION: Here’s the latest info on shipping. If you pay via Paypal on Saturday or Sunday, I can ship on Monday. If you pay using eBay’s new in-house payment system, I don’t know when I can ship because your money doesn’t show up in my account for a few days. If speed is important to you, my advice is to use Paypal (if eBay will let you).From the files of a journalist, deceased in 1996, who covered Hollywood periodically from 1932 as a foreign correspondent, exclusively from 1945 as Editor of the Hollywood Foreign Bureau of the United Press, and from 1969 as Hollywood correspondent for various periodicals in Europe. The sources of the multiple materials offered here were many and varied -- movie studios, TV networks, production companies, agencies, PR firms, his own photographers and sometimes himself -- and were used to illustrate his articles in the case of the pix and as background data in the case of the textual publicity material.
Having originally been auctioned off one individual piece at a time several years ago, these batches of multiple materials are now offered either as Lots or as lower priced individual items.
The following Lot of Original PR material from the ELVIS: GOOD ROCKIN’ TONIGHT (1989 - 1990) TV series starring MICHAEL ST. GERARD, MILLIE PERKINS, BILLY GREEN BUSH, JESSE DABSON and BLAKE GIBBONS is described in some detail below:
NOTE: All these items were from the Co-Producer and Distributor NEW WORLD INTERNATIONAL and you will find their name stamped on each 35mm slide mount. The show’s title is also stamped on each mount, but on some the title is shortened to simply ELVIS which is how you will now find this limited series on IMDb. However, the longer title was the original title (although ELVIS: THE EARLY YEARS might have been more appropriate).
1) One 8x10 black-and-white photograph of series star
MICHAEL ST. GERARD, studio logo & caption printed
in lower border, undated;
2) one mounted 35mm color transparency of an exterior
gallery w/MICHAEL ST. GERARD on RR tracks
w/guitar, undated;
3) one mounted 35mm color transparency of an exterior
gallery w/JESSE DABSON, MICHAEL ST. GERARD &
BLAKE GIBBONS (L to R) on RR tracks, undated;
4) one mounted 35mm color transparency of an interior
gallery w/MICHAEL ST. GERARD & guitar,
undated;
5) one mounted 35mm color transparency of an exterior
gallery w/MICHAEL ST. GERARD & 50s Cadillac
w/bass on roof, undated;
6) one mounted 35mm color transparency of an exterior
gallery w/MICHAEL ST. GERARD on RR tracks
w/guitar facing, undated;
7) one mounted 35mm color transparency of a scene
w/MICHAEL ST. GERARD on stage w/diverse
musicians, undated;
8) one mounted 35mm color transparency of an exterior
gallery w/MICHAEL ST. GERARD just past
sundown, undated;
9) one mounted 35mm color transparency of an exterior
gallery w/JESSE DABSON, MICHAEL ST. GERARD &
BLAKE GIBBONS (L to R) w/50s Cadillac, undated;
10) one mounted 35mm color transparency of a scene
w/MICHAEL ST. GERARD on stage w/JESSE
DABSON to the left, undated;
11) one mounted 35mm color transparency of an exterior
gallery w/MICHAEL ST. GERARD in med closeup
leaning on old Ford, undated.
Pic#1 shows the 8x10 black-and-white photograph of series star MICHAEL ST. GERARD, studio logo and caption are printed in the lower border, undated; Pic#2 shows the mounted 35mm color transparency of an exterior gallery with MICHAEL ST. GERARD on RR tracks with a guitar, undated; Pic#3 shows the mounted 35mm color transparency of an exterior gallery with, from Left to Right: JESSE DABSON (SCOTTY MOORE), MICHAEL ST. GERARD and BLAKE GIBBONS (BILL BLACK) on RR tracks, undated; Pic#4 shows the mounted 35mm color transparency of an interior gallery with MICHAEL ST. GERARD and a guitar, undated; Pic#5 shows the mounted 35mm color transparency of an exterior gallery with MICHAEL ST. GERARD and a 1950s-era Cadillac with BILL BLACK’s bass on its roof, undated; Pic#6 shows the mounted 35mm color transparency of an exterior gallery with MICHAEL ST. GERARD on RR tracks with a guitar faced toward the camera, undated; Pic#7 shows the mounted 35mm color transparency of a scene with MICHAEL ST. GERARD on stage with a diverse bunch of musicians, undated; Pic#8 shows the mounted 35mm color transparency of an exterior gallery with MICHAEL ST. GERARD just past sundown, undated; Pic#9 shows the mounted 35mm color transparency of an exterior gallery with, from Left to Right: JESSE DABSON, MICHAEL ST. GERARD and BLAKE GIBBONS with a 1950s-era Cadillac, undated; Pic#10 shows the mounted 35mm color transparency of a scene with MICHAEL ST. GERARD on stage with JESSE DABSON to the left, undated; and Pic#11 shows the mounted 35mm color transparency of an exterior gallery with MICHAEL ST. GERARD in medium closeup leaning on old Ford, undated. PRISCILLA PRESLEY was involved in the production and reportedly was thrilled with how closely MICHAEL ST. GERARD resembled ELVIS as a young man. Discoloration, if any, is due to oxidation of the paper (and yes, it even happens to photographic paper) from having been tightly pressed up against umpteen newsprint clippings and tearsheets of dubious origin in a manila file folder stuffed in an overloaded file cabinet over a period of some 50+ years.
If you plan on treating these poor old items as artifacts worthy of preservation, I can recommend the Archival Print Preservers made by PrintFile, and by way of full disclosure -- I don’t in any way work for them, nor do I receive compensation. Wish I did, but I don’t.
Due to the new payment system instituted by eBay, I can no longer justify the in-person pickup of items with shipping costs waived. All items now must be shipped. Sorry about that, but these circumstances are clearly beyond my control. If it’s any consolation, I’m not happy about it either.